From the Margins to the Mainstream: The Journey of Women in the Idol-Making Industry

Abstract

Idol making is an art form of profound cultural and religious significance, embodying the artistic heritage and spiritual practices of various communities. In the vibrant neighborhood of Kumartuli, located in Kolkata, India, this tradition is deeply intertwined with the celebration of Durga Puja, a highly revered religious festival in the region. For centuries, Kumartuli has served as the hub of idol making, primarily dominated by male craftsmen known as "kumars". However, a remarkable shift has occurred in recent years, as an increasing number of women have begun to make their mark in this historically male-dominated field. The primary objective of this study is to explore the evolving landscape of idol making in Kumartuli, highlighting the rising participation and influence of women within this artistic realm. By analyzing the power dynamics of women idol makers in this industry we aim to explore how these women preserve and shape the rich cultural heritage of this religious event. The study employed a qualitative approach utilizing in-depth interviews, participant observations, and case studies in-order to gather comprehensive data. The research focused specifically on female idol makers, allowing for an intimate understanding of their artistic processes, spiritual connections, and the social context in which they operate. Through direct engagement with these women, the study aimed to capture the richness and depth of their experiences within this traditionally male-dominated field of idol making. The findings of this study unveil a diverse tapestry of stories that showcase the determination and resourcefulness of women in idol making. These women exhibit a steadfast dedication to their art, striving to uphold the traditions while embracing creativity. The research also identifies several support networks and initiatives that have empowered these women, helping them overcome obstacles and establish themselves as talented craftsmen. Overall, the findings shed light on the resilience and ingenuity displayed by these women. It highlights the importance of acknowledging the talent of women in idol making and encourages the creation of a gender-neutral atmosphere in such artistic pursuits. Furthermore, this research aims to facilitate cross-cultural dialogue and enhance our comprehension of the role women play in preserving culture and enriching religious celebrations.